Picture Books In Danger?

Not too long ago, I read this article from 2010 telling that picture books are no longer a staple for children. Part of it was due to the economic downturn, as was mentioned, but what got my attention was the mention that parents were pressuring kids to read text-laden chapter books over picture books earlier in their lives. And I don’t mean 10 or 12-year olds; I mean kindergarteners and first graders.

To hear parents instilling that kind of thing to their children this early in life absolutely DISGUSTS ME.

I’ve been reading since I was a toddler, and if there’s one aspect of literature that has always fascinated me throughout my childhood, it was the picture book. The illustrations that were contained in these wonderful tomes were one of the reasons why I got interested in drawing. I even came up with my own silly parodies that my mom would type on the computer while I dictated them, and then I would draw my own illustrations in them, even if, at the point in my life that I came up with them, they were very crude stick figures done in marker.

To me, one of the most fascinating aspects of picture books were the actual illustrations themselves. I mean, yeah, the stories and the wording did interest me as well, of course, but what really sucked me in and actually made me want to read them were the illustrations. The artwork of standouts like Dr. Seuss, Dav Pilkey, Bill Peet, Jack Kent, Lane Smith, Chris Van Allsburg, Mercer Mayer, Maurice Sendak, Stan and Jan Berenstain, H.A. Ray, Shel Silverstein, Berkeley Breathed, and the Little Golden Book artists, among others, always appealed to me somehow, whether it was the design, the detail, the colors, the visual humor, or even the atmosphere of the piece, and proved that some of these illustrators really knew how to create books that were visually interesting, stimulating for the imagination, and, more often than not, fun to read. And if they were writers as well or they teamed up with writers who acknowledged their skills and let them show off their work, that made it all the more better.

"Uggh, what a stench! So THAT'S why they're green!"

Too Dumb To Win An Award? Sure. Too Dumb To Not Be Funny? Heck No.

Uh, heh, I hope they don't mean "lost his head" in the same way that I'm thinking of...

"HEY, SHUT UP, YA MANGY ANIMALS! CAN'T A MAN GET SOME SLEEP AROUND HERE?!!?"

Or "How The Wolf Unintentionally Got The Negative 'Big Bad Wolf' Stereotype Associated With Him."

Notice that "Now A Major Motion Picture!" sticker in the corner? Yeah, that's not an out-of-date addition to the book at all.

You can tell that this is a very early Little Critter just by how it was drawn. It does make me wonder if Mayer was considered a "Poor Man's Maurice Sendak" at the time, though...

"Let the Wild Rumpus St- HEY, YOU THERE! NO SLEEPING AT THIS TIME!!!"

It amazes me how the Berenstain Bears went from fun, silly antics to cutesy moralistic fluff to having some religious "Living Lights" books published by Zonderkidz starting in the late 2000s for some reason. Talk about going Lighter And Softer! 

"This is Major George to Ground Control, I just stepped through the door, and I'm floating in a most peculiar way..."

"Now, Boy, I want you to give this special apple to a girl named Snow White..."

Who wants to guess that they just caught someone skinny dipping?

A staple in young children's reading since 1942, and let's hope it still IS...

But again, to hear of parents that are like that just makes me cringe, because it only further instills the stereotype that modern children grow up too fast. If I ever saw one of those parents telling their children they can do “better than this” or encouraging them to read this much text at such a young age, I’d feel the desire to take them away from their children for a second, and scold them furiously, something like, “Screw you, you insensitive jerk, just let your kids live their childhood out while they still have it!” I wouldn’t actually try a stunt like that, since I wouldn’t know what consequences it would bring about, but I would still want these people to learn a thing or two about raising their kids right. Childhood is one of the most important times in a person’s life, the point when they’re the most developmental, and to hear of parents that do such things really pisses me off. It makes me wonder if they ever took child psychology, like my mom did.

I myself have an interest in making picture books of my own at some point. Sometimes, I’d visit my local libraries to take a look see at their picture books and re-live some childhood memories of reading these stories while creating new ones from reading books I haven’t read before.

In 2011, I also ordered a picture book from Barnes And Noble done by an artist that I had taken an interest in, Brianne Drouhard, an animator who has done design and storyboard work for stuff like Teen Titans, The Avengers: Earth’s Mightiest Heroes and Class of 3000. That book was Billie The Unicorn. It had a cute and surprisingly interesting story and endearing characters, and of course, Brianne’s incredible artwork. Every page explodes with stylish design and eye-popping color that demonstrates her incredible skill and instantly made me a full-fledged fan of her work.

(This last one isn't from the actual book, but it's still associated with the character and it looks great, so I felt like adding it, regardless.)

(A rough piece of fanart I drew for Brianne as a way for thanking her for the book. She felt I got the characters down with this one.)

Also, I’ve been checking out the work of illustrator William Joyce lately. You may know of him for recently being responsible for Dreamworks’ “Rise Of The Guardians,” and the incredible, highly-recommended, must-see 2011 Academy Award Winning Animated Short Film, “The Fantastic Flying Books Of Mr. Morris Lessmore,” created in association with Shreveport-based Moonbot Studios, (which can be seen on Youtube, for those curious,) but Joyce is a familiar name in both children’s books and animation, creating such books like George Shrinks, Rollie Pollie Ollie, A Day With Wilbur Robinson, (which was adapted into Disney’s Meet The Robinsons,) and The Leaf Men And The Brave Good Bugs (which has been adapted into the Blue Sky Studios film “Epic,” and was released this year,) just to name a few. I’ve only read some of them so far, like Santa Calls and Dinosaur Bob And His Adventures With The Family Lazardo, but I’ve really enjoyed what I read and definitely look forward to reading more. What amazing artwork! What imaginative storytelling! William Joyce has proven himself to be a creative powerhouse, and I’ve grown to really admire a lot of his work ever since learning of his name. I may be a young adult now, but I still appreciate picture books for reasons like those.

Just so you're aware, this isn't a screenshot from the actual animated short of "Mr. Morris Lessmore," but rather the book adaptation of the story.

Even though I have read chapter books and longer novels myself in my later childhood, I still don’t think there’s anything wrong with children reading picture books, as long as they are visually interesting and tell good stories while stimulating imagination and being fun to look at. I don’t know if things have changed much since 2010, but hopefully, there may be a resurgence of this format of literature, a day when parents will realize their mistakes and allow children to read more of what they want rather than what the parents want them to read, because no matter what anyone else says, picture books really are a great introduction to both the art of storytelling and the art of illustration for children. 

Sketchbook Scraps

Those that know me, either online or in real life, are aware that I am an aspiring cartoonist, animator, and illustrator. However, since the only posts on this blog that I've made thus far were based around the music-lovin' side of me, I figured I should use this time to give my fans (all five of you) a peek at some of my many sketchbooks and the random stuff throughout, be it an experiment in styles, an attempt at drawing certain characters, ideas for projects or images, or just goofin' around. Some are more polished, while others are rough and sometimes incomplete. These aren't every one of the sketches, these were ones that I felt like showing for the moment.

This sketch was my idea for the opening of an animated music video for the obscure Christian band Daniel Amos, who I have really gotten interested into lately. I'm not a big fan of Christian music, but I was introduced to the group through Terry Scott Taylor, the talented songwriter who did the quirky score for some of Doug TenNapel's projects, like The Neverhood games and Nickelodeon's Catscratch. And honestly, this is a really good group, Christian or not, so I recommend listening to them and anything else Terry's done, solo or with Daniel Amos/The Swirling Eddies and Lost Dogs, before judging them. As to the image in question, this was an idea I had for the song off what is considered their greatest album, 1987's Darn Floor-Big Bite, "Earth Household". It's a very beautiful song, heavy on atmosphere and a haunting ambience, and one of my personal favorites from the album. So I was trying to think of how this could be put into music video form, since the song (and the album in general) is about the incomprehensibility and mystery of God and the unknown, and I wanted images that not only fit the theme, but the music as well. If you want to get an idea as to the kind of atmosphere I'm looking for here, listen to the song while looking at this image above:

I can picture that hazy, foggy, barely-visible forest appearing as the music starts up and Terry (pictured in silhouette) walking up out of the mist, strumming the guitar chords and then stopping to play a while, before silhouettes of Tim Chandler (the bassist) and Ed McTaggart (the drummer) appear from the mist as their parts kick in, and while I don't have a clear idea as to what I plan to do with the video concept yet, I have a good idea for the atmosphere: the foggy, cloudy forest, a dark household, and images in a lit neighborhood or apartment complex at night. Might even throw some rain in there as well.

My brother mentioned that he could totally picture me animating this one.

Both of these were attempts at analyzing head construction. Personally, I've trying to stray away from the "Simpsons-esque" style I've used in the past, since I feel it limits expression and the eyes take up too much room and other things that kinda limit it. I had been trying to figure out other styles with which to draw from, as well as attempting to analyze how my own style could work. Note the bottom image with the realistic head and the cartoon head comparison.

Time for some attempts at sketching Disney characters! Here, I tried my hand at Bambi, a very light, sketchy Cheshire Cat, and the Genie with a little note as to where to put his earring. For the Genie, I used an image from Eric Goldberg's (the guy who animated the Genie) book as reference.

This is sort of a commentary on censorship. If what I heard was correct, older cartoons have had smoking censored out. I know smoking is bad, but come on, sometimes it's part of a character and his trademark to have a cigarette or cigar, and to try to edit it out of cartoons, older or otherwise, because they want to protect kids from it, even if it isn't depicted as being a major part of the character, is proof as to how "politically-correct" this country's gotten, and I hate it. Give Jose Carioca back his cigar, Disney!

We all know the term, but I felt it was fun to depict it literally. Before you get any disturbing, innuendo-based images in your head, she landed on the guy and squashed her. Seriously, it's annoying how people could assume such perverted things in EVERYTHING, even when it's not intentional. But then again, given my love for stuff like Rocko's Modern Life...

This was my first attempt at drawing Brianne Drouhard's Billie The Unicorn, a character that she created for a picture book that I now happily own a copy of, and I used the cover for reference. Check out Brianne's artwork on her blog or DA pages: http://potatofarmgirl.blogspot.com http://potatofarmgirl.deviantart.com

This was a possible character redesign I did for the character of my manga-esque graphic novel concept, Mikako. Yes, I do have an interest in working with the manga style sometimes, but I still want to handle a diverse range of styles while utilizing my own touches to them. If you're unfamiliar with it, take a gander here: http://maniacaldude.deviantart.com/gallery/#/d4869pj

No, this is NOT ripping off "My Life As A Teenage Robot". She's just a cute little girl who happens to be a cyborg.

This was my attempt at rendering Bucky Katt from the comic strip, "Get Fuzzy", into a design reminiscent of Daggett from "The Angry Beavers". Why? Because I can totally imagine Richard Horvitz, the guy who did the voice of Daggett and Invader Zim, doing the voice of this Siamese a-hole.

Some kids growing up in the 80s watched an obscure anime film known as "Unico In The Island Of Magic," based around the title character created by my personal favorite manga artist, Osamu Tezuka. I managed to watch both of the Unico movies, since they're found on Youtube. This was my re-imagining of the movie's villain, Lord Kuruku, with some Doug TenNapel inspired elements thrown in to make him even weirder than he already was. Earthworm Jim's head kinda influenced this Kuruku's head, and I drew from Klogg, the villain of The Neverhood, for one of his eyes. Yeah, I know, I'm absolutely insane, but hey, I like to toy around with odd ideas.

This was a monster I came up with for a project in Storyboarding, about a monster failing to scare a little girl in her sleep. And before you ask, YES, this was heavily inspired by Maurice Sendak's Where The Wild Things Are. Can I help it? The designs for the creatures are so memorable and iconic that I wanted to use it somehow, but at the same time, I didn't want it to seem like a total copy, so I exaggerated some of the body structure and made him more cartoonish.

And here are a few more extra doodles:

And... that's pretty much it for now. Until next time, see ya!